INDIAN CULTURE


India is one of the ancient countries comparing to any other country in the world, which is very rich in its own culture. India has got the big phenomena of unity in multifarious diversities and multifarious diversity has got a unity. This means that though the external appearance of the people varies on different cultural forms, the 'Indian' spirit remains the same through out the country. 


The first and foremost thing to talk about culture is the civilization observed from the Old Stone Age to the present age. When we say somebody is civilized, that civilization either based on his or her literature or on his or her type of life. Individual regionalistic culture is depicted by the literature. The type of literatures first comes in the Tamil literature, then, Telegu and Malayalam followed by Kannada. These are the foremost languages in which they have existed without the aid of any other language. 

The type of dress adorn by the people of different parts of this country are as much colourful and varied to compromise with the climatic and the geographical conditions. The down South, where the temperature remains almost hot, the pattern of dressing is mainly divided into two parts, the ceremonial dresses and working dresses. In the ceremonial dresses, again the culture of the country based on weaving talents. 

From different weaving styles, one can promptly identify the place of origin of a particular dress in the country. The weaving at Kancheepuram is different from that of Banaras or Surat. In that way, it is worth knowing about the different weaving pattern of Kancheepuram, Banaras, Kashmir, Bengal, and Surat for the executive type of weaving in Zaris, Silks, pure cotton, wool and other materials. "Bidar" situated near Karnataka, predominantly occupied by Muslim community who weave superior quality clothing by hand. (The people at Dhaka in Bangladesh also do the same kind of weaving and there also most of the people belong to the Muslim community). 

To critically observe or get more knowledge about the culture, culture in persons, culture in individual behavior, culture in food habits and culture in day today work in India, one has to go to the remote parts of the country, i.e. the villages where the ancient culture is being observed as the entity of the varieties. In the semi-urban or urban states, it is impossible to find the true Indian culture of this country. So also, the jewels and ornaments adore by the people of this country varies from region to region. As much as the desire to adore them by jewels, the southern people have got a quenched thirst to adore with jewels to their gods and goddesses as deities than to themselves. 

The culture of this country has got strong belief in bestowing the most precious jewels in metals or that of a Navaratna to be adored on the deities. Such type of innumerable number of deities are even now available in remote villages where even the outskirt of the villages themselves do not know. There is a born instinct in differentiating the culture of regionalism and is only possible in the spirit of Indian culture alone which is not available in any other culture. However, the Keralite music can be perfectioned by a Tamil origin. The Tamil origins Bharatnatyam can be performed with more grace in Andhra Pradesh. Thyagabrahmams Keerthanas could be sung with more delicate taste by all these Southern Regional but the dressing culture, the food culture and any other culture remains individualistic and they are akin to that particular state to which they belong. The culture of Gurukulam.

 Though it has taken a pedigreeal concept all from guru to guru, it is restricted itself by imparting knowledge to high spiritual, vedic and ethical only. Some pedigree could not be established in day to day life. Therefore the Gummi, Kolattam and the street drama (Therukoothu), Ottamthullal of Kerala and the native dancing trends of Andhra Pradesh, the big drum festivals of Karnataka and the Veerasaiva sword twisting is restricted to the individual states only which has not spread to the other states. 

The term culture refers to a state of intellectual development or manners. The social and political forces that influence the growth of a human being is defined as culture.
 
Indian culture is rich and diverse and as a result unique in its very own way. Our manners, way of communicating with one another, etc are one of the important components of our culture. Even though we have accepted modern means of living, improved our lifestyle, our values and beliefs still remain unchanged. A person can change his way of clothing, way of eating and living but the rich values in a person always remains unchanged because they are deeply rooted within our hearts, mind, body and soul which we receive from our culture.

The culture of India is one of the oldest and unique. In India, there is amazing cultural diversity throughout the country. The South, North, and Northeast have their own distinct cultures and almost every state has carved out its own cultural niche. There is hardly any culture in the world that is as varied and unique as India. India is a vast country, having variety of geographical features and climatic conditions. India is home to some of the most ancient civilizations, including four major world religions, Hinduism, Buddhism, Jainism and Sikhism.

A combination of these factors has resulted into an exclusive culture- Indian culture. Indian culture is a composite mixture of varying styles and influences. In the matter of cuisine, for instance, the North and the South are totally different. Festivals in India are characterized by color, gaiety, enthusiasm, prayers and rituals. In the realm of music, there are varieties of folk, popular, pop, and classical music. The classical tradition of music in India includes the Carnatic and the Hindustani music.

India, a place of infinite variety, is fascinating with its ancient and complex culture, dazzling contrasts and breathtaking physical beauty. Among the most remarkable features of India, is the arts and culture in particular. The Indian culture has persisted through the ages precisely for the reasons of antiquity, unity, continuity and the universality of its nature. Thus within the ambience of Indian culture one can identify 'Indian Music', 'Indian Dance', 'Indian Cinema', 'Indian Literature', Indian Cuisine' 'Indian Fairs and Festivals' and so on.

Indian culture treats guests as god and serves them and takes care of them as if they are a part and parcel of the family itself. Even though we don't have anything to eat, the guests are never left hungry and are always looked after by the members of the family. "Respect one another" is another lesson that is taught from the books of Indian culture. Helpful nature is another striking feature in our Indian culture. Indian culture tells us to multiply and distribute joy and happiness and share sadness and pain. It tells us that by all this we can develop co-operation and better living amongst ourselves and subsequently make this world a better place to live in.

Nowadays the Indian Culture has crossed the geographic boundaries and has extended globally. Whoever May it be an Indian or a person from any other country, attracted from the exuberant Indian Culture and traditions.

Culture is a symbolic, continuous, cumulative and progressive process. In the words of Green, culture means "the socially transmitted system of idealized ways of knowledge, practice and beliefs along with the artifacts that knowledge and practices produce and maintain as they change times."

Culture is the short-hand version of the rules that guide the way of life of people. It is the common learned way of life shared by members of a society. In a word, culture is the expression of finer aspects of the life style of a group. As Johann Von Herder says, "the culture of a people is the blood of its being."
In the famous words of Arnold J.Toynbee, "civilization is a movement - not a condition, a voyage and not a harbour." This is true especially in the context of India. Though one of the oldest of ancient civilizations, India is the only example of a continuous process of the growth and evolution of its ancient civilization. In a word, Indian civilization is a continuum and, therefore, unique. As such, the culture of India has always been integral in its approach. '

It has never been one-sided. One of the greatest scholars on the culture of India, Basham has this to say on the subject,".... in no other part of the ancient world were the relations of man and man, and of man and the state, so fair and humane. In no other early civilization were slaves so few in number, and in no other ancient lawbook are their rights so well protected as in the Arthasastra. India was a cheerful land, whose people, each finding a niche in a complex and slowly evolving social system, reached a higher level of kindliness and gentleness in their mutual relationships than any other nation of antiquity."

In view of the diversity certain people have formed the impression that India was never a united country. But this view is not fully correct because under the facade of diversity India has always enjoyed a deep note of fundamental unity.

Dr. Radha Kumud Mukherjee says that a superficial observer fails to discover this unity. To quote him, "He fails to discover the one in many, the individual in the aggregate, and the simple in the composite."
Sir Herbert Risley also observed, "Beneath the manifold diversity of physical and social type, language, custom and religion which strike the observer in India there can still be discerned a certain underlying uniformity of life from the Himalayas to Cape Clamoring.”

Certain scholars have tried to project the image that the ideal of unity is of recent growth in India and it was to a large extent the result of the efforts of the British Government. This view is not fully correct because India has enjoyed unity right from the earliest times and the founders of the Indian civilization were fully aware of this factor.
This shall be fully substantiated by the following discussion.
Geographical Unity:
Geographically India may not be a united by itself but from times immemorial India has been considered as one country. The single name “Bharata Varsha” given to this country emphasis this unity.

According to the authors of 'Advance History of India,' this name and the sense of unity which it denotes, was ever present before the minds of the theologians, political philosophers and poets who spoke of the thousand Yojans (leagues) of land that stretches from Himalayas to the sea as the proper domain of a single universal emperor."

During the medieval times the Muslim rulers also considered it as one country and made efforts to capture all parts. The nature has also bestowed a geographical unity by providing Himalayas in the North and Ocean in the other three sides of the country and thereby completely separating India from other countries.

The rivers of, India have also been responsible for giving a sense of unity in the country. Some of the rivers are ascribed divine origin and are considered sacred by every Indian. For example, Ganga is worshipped in all the four direction of the country.

Pilgrims from all over the country continue to visit the various holy places situated on its banks. Other rivers like Yamuna and Saraswati are also considered sacred by people all over the country. In short we can say that in spite of the geographical diversity the country has enjoyed a typical unity.
Racial Unity:
No doubt, the people of India belong to different races but they are so much absorbed in the Hindu fold that they have virtually lost their separate entity. It’s a well known fact that the people of India, to whichever race or region they might belong, are known as Indian of Hindustanis. This is a clear proof of the underlying recital unity of the people.

Linguistic Unity:
Although India possesses a variety of language, but she has enjoyed a linguistic unity from the earliest times. In the 3rd century B.C. the Prakrit served as the common language of the people.

According to Dr. Choudhury, Prakrit was the one single language sufficient to bring the message of a royal missionary to the doors of his humblest subject throughout this vast kingdom." After Prakrit, Sanskrit became the common language of the masses. The other local languages which subsequently gained prominence originated out of Sanskrit.

Some of the prominent Indian languages which owe their origin to Sanskrit include Hindi, Gujarati, Telgu and Tamil. In fact Sanskrit served as the lingua franca during the ancient times. During the Medieval times also though the Sanskrit language was not extended royal patronage by the Muslim rulers, the rulers in fete south continued to patronize it and it continued to flourish with the coming of British, English became lingua franca. After independence this role has been taken over by Hindi.

The script of the various languages used in India also possesses a certain amount of uniformity. In fact almost all the scripts are based on the Brahmin script. The literature produced in different Indian languages also possesses an element of unity. Most of the literature in Indian language drew inspiration from the Sanskrit literature and maintained the unity.

No doubt, certain local pieces of literature like Vedas, Puranas, Dharma Sastras and Upanishads were written in Sanskrit and are regarded as the common reissue by the people all over the country.

Religious and Social Unity:
In the religious sphere also despite the manifold diversity a sort of unity has prevailed amongst the various religious sects in the country. India was primarily a Hindu country and its culture was based on Varna Ashrama Dharma Vyavastha, i.e., caste.

People in all the four corners of the country followed these principles. The people also worshipped the same Hindu Gods all over the country, although they were assigned different names in different regions. The Hindu religious works Ramayana and the Mahabharata were also popular throughout the country and Indians both in the north and the south as well as east and west attach great importance to these works.
Similarly, the Vadas, Puranas and other religious scriptures are given due regarded by the people from all parts of the country. Again, every Indian irrespective of his caste, creed and race believes in the doctrine of transmigration of soul, monotheism, immortality of the soul, re­incarnation of Karma, deliverance or Moksha etc.

The people staying different parts of the country followed the same religious rites and rituals. Even the religious places of the Hindu like Ayodhya, Avantika, Mathura, Gaya, Kashi, Sanchi and Puri are located in the four directions of the country. Hindu festivals like Holi Diwali are also celebrated in the regions of the country. In fact, people from all religions participated in these festivals. Thus we find that in spite of the religious diversities there has been an undercurrent of cultural unity which to large extent nullified the peculiar effects of various religions.

The religious and cultural unity has also led to unity in the social sphere. The people belonging to various religions have been following common customs both with regard to the dress and eating habits.

Political Unity:
In the political sphere the unity of the country has been one of the greatest goals which most of the Indian rulers cherished. No doubt, India was divided into a number of small principalities but the powerful rulers were always keen to bring all these areas under their control. They were keen to assume the title of Chakravarti.

According to Kautilya, Chakravarti king domain extended from Himalayas to the seas. In other words according to Kautilya, the king was’ considered to be a Chakravarti only when he succeeded in extending his power or supremacy over the whole of the country. Usually such titles were assumed by the king after due performance of rites and sacrifices.
In the ancient times Chandragupta Maurya, Asoka and Samudra Gupta carved out all India Empires. During the medieval times also kings like Ala-ud-din Khiliji and AJirangzeb made efforts and succeeded in establishing their control' over the entire country. These Muslim rulers have been provided similar system of administration, uniform laws and customs, common coinage etc. and thus imparted a type of political unity to the entire country. Thus we find that despite the variety of religion, cultures, languages, geographical diversity etc. India has enjoyed some sort of the unity.

Cultural Unity:
Cultural unity amidst various diversities is found in India. In spite of difference in language, religion, dress and manners, Indian culture is homogeneous. In ancient time, the rock-cut architecture to the Mauryan period found its expression throughout India. The Gandhara School of art and Mathura School of art also flourishe in this land. The Indo-Islamic art and architecture were alike in the and corner of India. Superscriptions found from different parts country bore uniformity in many respects though the events and narratives were different.

Similarly, many festivals like Holi, Diwali, Sahara, Rakshabandhan, Idd, Sobebarat, Christmas, and Good Friday are observed throughout the country with their colorful lustier. Further, the Kumbhamela at Allahabad, Hardwar and Ujjain are attended by people from different parts of the country. Similarly many rites like birth-rite, funeral-rite are observed throughout the country, the caste system, family sanctity, modes of offerings, several social ceremonies are celebrated almost in a similar manner in different parts of the country. Thus, the cultural unity in India amidst several diversities is a unique phenomenon.

Unity in Literature:
In different parts of India literature has been written in several languages. The ancient literature like the Vedas, Upanishads, Puranas, Dharmasastras etc. were written in Sanskrit. Basing upon those, literature has been written in different languages. The theme and characters of Ramayana, Mahabharata, Raghuvansam etc. are same in different languages may be Oriya, Kannad, Bengali, Ahamiya and so on. Thus, the influence of Sanskrit is greatly felt over that literature and really it plays a cementing force to bind together the literary traditions of different parts of the country.
Philosophical Unity:
India is the birth place of many philosophical systems of the world. The Vedic Philosophy, the philosophy of the Sankhyas, Yogas, Advaita Vedantins, Buddhisas, Jainas, Saivas, Shaktas etc. vary in many respects from each other. Buddha, Mahavir, Shankaracharya, Ballavacharya, Nimbarka, Kabir, Nanak, Sri Chaitanya, Nizamuddin Auliya, Eknath, Tukaram and many other saints preached their philosophy. Monotheism and polytheism have been preached in this subcontinent.

However, the ultimate aim of every philosophy is to lead a life full of bliss and happiness, the concept of Nirvana, Nfoksha, Mukti etc. or the life in this world and the other are certain other aspects of each philosophical system. This unity in Indian philosophical system has allured the attention of the people of the world at large.

Promoter of this Unity:

There are several agencies which have promoted the unity amidst diversity.' The sages, saints, reformers and pilgrims who have visited throughout India sing the glory of several places like Kurukshetra, Allahabad, Hardwar, Rishikesh, Dwaraka, Mathura, Kanchipuram so and so forth. Their description makes Indians feel that they belong to a glorious land, their motherland, India.

In the past, the conquerors like Chandragupta Maurya, Asoka, Chandragupta and Akbar wanted unity of this land which inspired the leaders of the part and inspires the present leaders too to maintain the unity and integrity of our country Among other factors, uniform administration, language and religion modern means of transport and communication, common history and nationalism and the present democratic set up act as agencie for maintaining this fundamental unity of India amidst various diversities Unity in diversity is the basic postulate of Indian culture. It is a wander that in spite of several diversities Indian culture preserves unity. That is quite unique and unparalleled in the chequered annals of history.

That is why, perhaps Herbert Risley has rightly pointed out— "Beneath the many-fold diversity of physical and social type, language, custom and religion which strikes the observer in India, there can still be discerned a certain underlying uniformity of life from the Himalayas to Cape Clamoring.

Indian Cinema


History of Indian Cinema

History of Indian cinema dated back to the year 1896. The Lumiere Brothers first demonstrated the art of cinema to the sub continent. Bombay was the first Indian city that screened Cinematography, six short films by the Lumiere Brothers. The success of these films led to the screening of more foreign films, for instance, Vitagraph by James B. Stewart and Moto-Photoscope by Ted Hughes. In other words introduction of cinema in India took place with the aid of the colonisers.) The Indian film industry is the oldest and the largest in the world with over 1200 movies released annually 


A kaleidoscopic view of history of India includes the pioneering efforts of Save Dada (Harischandra Sakharam Bhatavdekar). He made two short films as early as in 1897. The first short films in India were directed by Hiralal Sen, starting with Flower of Persia (1898). In 1900 the entire Indian entertainment sector underwent huge changes and the emergence of Dadasaheb Phalke took Indian cinema to new heights. Thus the path breaking film of the Silent era, Raja Harishchandra, was released in 1913. During this time and the era of the talkies the main sources for Indian films were the mythological texts. The rapid growth of the Indian cinema led to the end of the silent era and ushered in the era of the talkies. The latter introduced the Indian cinema in a completely new way to the audiences. Now one could hear the actors and actresses talk, laugh, sing and cry. Initially films were primarily made in Hindi, Tamil, Bengali and Telugu and these films proved to be phenomenal successes.

1930s and 1940s witnessed the rise of film personalities, such as, Debaki Bose, Chetan Anand, S.S. Vasan, Nitin Bose and others. Their contributions helped the Indian cinema to grow further. By this time apart from Bombay (Mumbai), the film industry shaped up well in down south too. The Tamil, Telugu and Kannada film industries were making indigenous films as well. By late 1940s films in India were made in various languages but the religious influence was predominant. With struggle for independence the entire scenario altered. Indian cinema now saw films based on the then contemporary social issues. Movies no longer were limited to the periphery of entertainment; they were now potent instruments to educate the masses as well.

The golden period in the history of Indian cinema is attributed to the 1950s. Guru Dutt, Mehboob Khan, Raj Kapoor, Balraj Sahani, Nargis, Bimal Roy, Meena Kumari, Madhubala, Dilip Kumar graced the screens. In south India esteemed actors like Rajkumar, Gemini Ganesan, NT Rama Rao and several other actors and actresses entertained the audiences. Besides them numerous singers, composers, scriptwriters, cameramen and other technicians lend a helping hand in making some of the most outstanding films that carved their own niches in the history of Indian cinema.

In Bombay while the magic of Guru Dutts and Bimal Roys were preponderant Indian cinema moved one step further with the release of K. Asif`s Mughal-e-Azam in 1960. A trail of romantic movies followed all over India. While the Indian commercial cinema enjoyed popularity amidst the movie goers, Indian art cinema did not go unnoticed. Adoor Gopalakrishnan, Ritwik Ghatak, Aravindan, Satyajit Ray, Shaji Karun and several other art film directors were making movies that took India to international fame and glory. By 1970s Indian cinema enjoyed the histrionics of superstars like Rajesh Khanna, Sanjeev Kumar, Waheeda Rehman, Asha Parekh, Tanuja and others. This was truly the red letter year for Hindi cinema as Ramesh Sippy`s Sholay proved to be an iconoclast and gave to Indian cinema its new superstar--- Amitabh Bachchan. Hardly did anyone know then that the Bachchan era was here to stay for long enough.

At one hand Hindi cinema was growing in leaps and bounds and on the other the regional films were making their presence felt too. A number of well established Hindi film stars who became a part of the star system in India actually began their career with the Indian regional films. 1980s saw the rise of several woman directors, such as, Aparna Sen, Prema Karnath, Meera Nair and others. It was also the year when Rekha wooed the audiences with her stunning performance in Umrao Jaan. The regional films like Malayalam, Kannada, Telugu, Bengali and others produced a number of romantic films. Renowned film personalities like Balachander, I.V. Sasi, Balu Mahendra, Mani Ratnam, Ram Gopal Varma and others made their marks.

With romantic films at the helm the Indian cinema ushered into 1990s. A mixed genre was witnessed during this time. Romantic, thriller, actions and comic movies were made. Gradually the face of Indian cinema was undergoing changes one again. The audiences, too, were getting weary of similar storylines. Hence the contemporary Indian cinema, keeping pace with time and technology, witnessed dolby digital sound effects, advanced special effects, choreography, international appeal, further investments from corporate sectors alongwith finer scripts and performances. The aesthetic appeal of cinema became important for the filmmakers.

Stars like Shahrukh Khan, Rajnikanth, Madhuri Dixit, Aamir Khan, Chiranjeevi, Juhi Chawla, Hrithik Roshan, and others explored all possible techniques to enrich Indian cinema with their performances. Even in contemporary India cinema a troupe of new faces came. The post generation of the existing stars are making Indian cinema rich in its true sense using their youthful vivacity and talent. Films, such as, Gandhi, Terrorist, Amu, Phir Milenge, Diksha, Tare Zamin Par, Pipli live,are intended to educate the mass. Films such as Sarkar, Rajneeti, Page 3, and Fashion reflect the political and social scenarios of contemporary society. As years fly away Indian cinema betters itself with more number of films making it to the golden pages of its history.
  

Milestones from 1896-1951
Though film production commenced in India in 1913, it is necessary to record the progress of the film business from 1896, the historical year when Lumiere Bros' films were exhibited at Watson Hotel in Mumbai. This was the forerunner of the film industry in India; as it held many future technicians spellbound, and went on to encourage the making of the motion picture in India.

1896
First Cinema Show
The first Cinema show in India was arranged by the agents of two French brothers, Louis and August Lumiere, pioneers of the Cinematography in France, at the Watson Hotel in Bombay on July 7, 1896 and the show was Marvel of the Century. First Cinema Advertisement The first cinema advertisement in India appeared in the Times of India, Bombay on July 7, 1896, which carried details of the “Living Photographic pictures in life-size reproductions by Messrs Lumiere Brotheres.
1897
First Indian to handle a cine camera Harishchandra Sakharam Bhatvadekar alias Save Dada was the first Indian to import a Cine-camera from London at a price of 21 guineas and made a topical in 1897. He filmed a wrestling bout between Pundalik and Krishna Nhavi, which was specially arranged at the Hanging Gardens in Bombay.



The Lumière Cinématographe arrived in India at Bombay on 7 July 1896, presented by Marius Sestier, and among the audience for these first shows was a photographer from Maharastra, H.S. Bhatvadekar (more commonly known as Save Dada). He had established a photographic studio in Bombay in 1880, and was so captivated by the Lumière show that he ordered a camera from Riley brothers of England, at a price of 21 guineas. Bhatvadekar's first film, taken in November 1899, was of a wrestling match at the Hanging Gardens in Bombay and was sent back to London for processing. While awaiting the film's return Bhatvadekar secured a projector and began touring with imported films, adding the wrestling film on its return and then his second film, showing the training of circus monkeys. He filmed local scenes and an event which has gone down as the first Indian news film, the return to India from Cambridge in December 1901 of acclaimed mathematics student R.P. Paranjype, an event with considerable resonance for both Indian and British communities. Bhatvadekar went on to film the 1902/3 Delhi Durbar celebrating Edward VII's coronation, before turning to exhibition, becoming manager of the Gaiety Theatre in Bombay and ending up a wealthy man. He died while cracking a joke with a friend.1898
First Bioscope
Prof. Stevenson brings “first Bioscope” to Calcutta at the Star Theatre. “Panorama of Calcutta”- an early Indian coverage by foreign cameramen.
1899
Harishchandra Sakharam Bhatvadekarwww.victorian-cinema.net/bhatvadekar.htm ( Save Dada), a photo goods dealer, turns exhibitor and film maker.
1901
First Indian Film
“Return of Wrangler Paranjapee”- first Indian Actually Film shot by Bhatvadekar. Haralal Sen stars working in Bengal by filming extracts from stage-plays.
1902
J.F. Madan (1856-1926) launches his bioscope show in a tent at Calcutta Maidan.
1904
First Cinema show on regular basis Manek D Sethna, who owned a cinema project, started a touring cinema with the screening of the first film “ Life of Christ” on a regular basis in Bombay in 1904. Abdulally Essofally, enterprising showman, makes the masses movie-conscious, takes up exhibition as a regular business proposition.
1907
First Cinema
The First Cinema hall in India as built by J.F. Madan in Calcutta in 1907 and it was named Elphinstone Picture Palace.
1911
First Mini Feature Film
After filming the Imperial Darbar of 1911, three business partners S.N. Patankar Anantram Parshuram Karandikar and V.P. Divekar who had earlier purchased the cine camera from Save Dada, produced the first mini-feature film (about 1,000 feet) “Savitri” in 1912. Narmada Mande, a young lady from Ahmedabad, K G Gokhale and divekar himself featured in the leading roles of the film, which could not see the screen due to several technical reasons and flaws.
First Theatrical film
Shreepad Sangit Mandali, a professional theatre group of Bombay, was performing a theatre play “pundalik” during 1911 in Bombay. Narayan Govind Chitre alias Nana Bhai Chita of India Press, Bombay sought help from R.P. Tipnis, Manager of Corontion Cinematograph, and decided to picturise the stageplay Pundalik. They took R.G. Torney alias Dada Saheb Torney, along with them to direct the proposed film. M/s Bourne and Shepherd, a British concern, took keen interest in the venture and joined hands with the promoters by providing them a cameraman, Johnson to shoot the film at Mangaldas Wadi in Bombay. The film also named “PUNDALIK” was exhibited on May 18, 1912 at Coronation Cinematography, Bombay.
1912
First Foreign-Returned Indian Cine-Technician
Dadasaheb Phalke was the first foreign returned Indian cine- technician who learned filmcraft from Cecil Hepworth, a prominent producer at Walton in England, for about a week in February 1912, March 1912.
First City of Film Production Bombay was the first city in India where film production started in 1912
1913
First Indian feature film
RAJA HARISHCHANDRA was the first Indian feature film produced by an Indian, with out any foreign collaboration, Dadasaheb Phalke in 1912. The film was however released on May 3, 1913 at Coronation Cinematograph, Bombay.
First Producer
Dadasaheb Phalke, who released his first film RAJA HARISHCHANDRA ON May 3, 1913, was the first film producer of India. First “Heroine” of Indian Film The first heroine for Indian film was not a female but a young boy. Salunke, who acted as Taramati in India's first feature film “Raja Harishchandra”.
First Female Heroine
Kamala, a Maharashtrian lady, was the first female heroine in an Indian film with her lead role in Dadasaheb Phalke's second film “Bhasmasur Mohini” produced in 1913. Kamala's mother Durgabai also featured in the film.
First Hero
Dattatraya Damodar Dabke was the first hero of an Indian film. He acted as Harishchandra in “Raja Harishchandra” in 1913. First Artiste playing as both hero & heroine Salunke, acted as both Ram and Seeta, In Phalke's fifth film” Lanka Dahan” produced in 1917.
First Technician
Dadasaheb Phalke was not only the film producer but also the first director, writer, cameraman, make-up man, editor, art director and cine-laboratorian, with his first film “Raja Harishchandra”.
1914
First Indian feature film shown Abroad
“Raja Harishcnadra” was the first Indian Film which was shown on percentage basis in London in 1914.
1917
First feature film from Bengal
J.F. Madan produced Bengal first, feature film “Nal Damyanti” in 1917. This film had two Italians, namely, Signor and Signora Manelli in the leading roles. A new actress Patience Cooper was also introduced in the film. The film was photographed by cameraman Jyotish Sarkar.
1918
First Act to regulate cinema
The first Act which regulated and controlled the Indian film industry was enacted in 1918 and it was known as Indian Cinematograph Act 1918.
First Indian Serial
S. N. Patankar's “Exile of Shri Rama” was the first Indian Serial. First Hollywood-trained Indian Suchet Singh was the first Hollywood-trained Indian who had taken training in cinema technique in America and had worked as an associated under Charlie Chaplin in 1918. He returned by the end of 1918 and formed the Oriental Film Manufacturing Company Ltd. which produced its maiden film “Shakuntala” in 1920.
1919
First silent feature film from South India
R. Nataraja Mudaliar of Madras made “ Keechaka Vadham” the first silent feature film from South India. First Female Child Star Manadakini, daughter of Dadasaheb Phalke, was the first female child star, who featured as the child Krishna in Phalke's “Kaliya Mardan” produced by Hindustan cinema Film Company in 1919.
First Indian Made Cine-Camera
Anandrao Painter of Kolhapur was the first Indian to make a cine-camera with the help of an old cine-projector and he shot a comic film around 1918. After his death, his brother Baburao Painter produced his first film “Sairandhiri” under the banner of Maharashtra Film Company in 1919 with the help of this Indian camera.
First Film Distributor
Dadasaheb Phalke was distributing his films himself. But this business was first handled in a proper manner by R. G. Torney in 1919 under the name and style of M/s Western Movies. First title bestowed upon any film personality Baburao Painter was the first film personality who was bestowed with the title of Cinema Kesari by Lokmanya Tilak in 1919 after seeing his silent film “Sairandhri” produced by Maharashtra Film Company.
1920
First Cinema Poster
Baburao Painter was the first man to advertise his film “Vatsala Haran” through cinema posters as a publicity campaign in 1920. First Film Censor Board For the first time Boards of Film Censors were set up in Bombay, Calcutta, Madras and Rangoon in 1920 and later on at Lahore in 1927.
1921
First feature film from South
The first feature film produced in South India was “Bhishma Pratigna” produced by R. Venkiah and R. Prakash of Stars of the East Film Company, Madras in 1921. First Social Satire Dhiren Ganguly made “ England Returned”, the first social satire on an Indian obsessed with Western ideas, “Vali Thirumanam” made in Madras by Whittakar, is critically ac claimed and is also a box-office success.
First Artificial Lights
Baburao Painter was the first man in India to use artifical lights while making his film “Sinhagad” in 1921.
1922
First Levy of Entertainment Tax
The first levy of Entertainment Tax was o,[psed om Nemga; om 1922 and later on in Bombay in 1923 at 12 -1/2 percent.
1926
First Lady Director
The first lady director in India was Begum Fatima Sultana (wife of the Nawab of Sachien State), mother of Princess, Zubeida, star of “Alam Ara”. Begum Fatima not only acted but produced and directed several silent films including “Bulbule Paristan” “Goddess of Luck”, “Chandravati” and Milan Dinar”
First Cinema Trade Organisation
The Bombay Cinema and Theatres Trade Association, formed around 1926, was the first cinema trade organization in India. After sometime the Indian Motion Picture Association was also formed in Bombay. The Madras Cinema and Theatre League was formed in Madras in 1929. However, actual trade activities started only after the formation of the Motion Picture Society of India in Bombay in June 1932
1927
First Independent Film Processing Laboratory
The first Independent Film Processing laboratory was setup by Narayanrao Alias Dhanjibhai K. Desai in Bombay in October 1927. It was known as Atmanand Labortory. First Indian Cinematograph Enquiry Committee The Govt. of India appointed the first Indian Cinematograph Enquiry Committee on 6 th October 1927. The Indian Cinematograph Committee, set up under the Chairmanship of Dewan Bahudar T. Rangachariar; J.C. Daniel makes first Malayalam film “Vigada Kumaran” “Exceptional Young Man”.
First Double Role
Master Vithal was the first actor who portrayed a double role in a feature film “Prisoner of Love” produced by Sharda Film Company in 1927. The company owned by Nanubhai Desai and Bhogilal K.M. Dave, was founded in 1925.
1929
First Talkies Short Production in India
J.F. Madan and J.J. Madan of Madan Theates Ltd., Calcutta had received their sound equipment from America and they started producing as well as exhibiting sound films in India. They released a two reeler sound film in their talkies cinema, Elphinstone Picture Palace, Calcutta, in 1929.
First Talkie Feature Film Shown in India
The first Talkie Feature film shown in India was Universal's “Melody of Love” in English, which celebrated its premiere at Elphinstone Picture Palace in Calcutta in 1929.

1931
First Talkie Shorts released in Bombay
Some talkie shorts produced by Madan Theatres Ltd. , Calcutta and Krishan Film Company, Bombay; were released for the first time in the Lamingrone and Empress Cinemas in Bombay on February 4, 1931. First Indian Talkie feature film The first full length talkie feature film produced in India was “ ALAMARA ” Light of the World in Hindustani, produced by Ardeshir M. Irani of Imperial Film Company, Bombay. It was released at the Majestic Cinema, Bombay, on March 14, 1931.
First Talkie from Bengal
The first talkie film from Bengal was “ JAMAI SASTHI ” in Bengali produced by Madan Theatres Ltd. in 1931.
First Tamil Talkie
Sagar Movietone's “ KALIDASS ” was the first Tamil feature film starring T.P. Rajalakshmi and directed by H.M. Reddi. The film with Tamil dialogue and Telugu songs was released in Madras on October 31, 1931.
First Talkie Film Distributor
Talkie film distribution came into existence with the advent of talkie film in 1931. Sagar Movietone, founded by Chimanlal Desai, stated the business of distribution by taking the distribution of India's first Talkies “ALAM ARA ” in 1931.
First Song
“De de khuda ke naam par” was the first song recorded for “Alam Ara” in 1931. it was sung by W.M. Khan under the music direction of Phiroz Shah.
First Music Director
Phiroz Shah Mistry was the first music director of the talkie film “Alam Ara”. First Advertising Film Company Niranjan Pal of Publicity/Drammatic Film Co. (1931) was the first Indian to introduce the advertising film production and business in India in 1931.

1932
First Talkie film from Punjab
“ HEER RANJAH ” in Hindi was the first talkie feature film from Punjab. It was produced by Hakim Ram Prasad on Play Art Photophone Company in 1932. This talkie film was censored by the Punjab Board.
First Marathi Film
Prabhat Film Company's “AYODHECHA RAJA” Directed by V.Shantaram in 1932 was the first Marathi film which starred Durga Khote. First Double Version talkie “AYODHYECHA RAJA” in Marathi and “Ayodhya Ka Raja” in Hindi were the first double version talkie films produced by Prabhat Film Company in 1932.
First Talkie which celebrated Silver Jubliee
“SHYAMSUNDER” in Marathi, produced by Dadasaheb Torne of Saraswati Cinetone and directed by Bhal G. Pendarkar was the first Indian talkie which celebrated silver jubilee by running for 27 weeks at the West End Cinema in Bombay in 1932. First Talkie Film on Fidelytone Sound System Eastern Film's “Shikari” in Hindi was the first talkie film with sound recorded on the Fidelytone Sound System brought into India by a foreign film unit in1932.
First Film With Maximum Songs
Madan Theatres “Indra Sabha” in 1932 is the only film produced so far with a record number of 71 songs. Madan's other three films “ CHATRABAKAVALI ”, “Guru Zarina” and “Bilwamangal” Produced in 1932 had 41, 37 songs respectively, Meenakshi Cinetone's “Pavalakkodi”, produced in 1934, had 50 songs while Angle Film's Tamil hit “Sri Hrishna Leela” in 1934 had 62 songs. First Film With Background Music New Theatre's “Chandidas” in Bengali was the first talkie film in which “Background” music was scored by music director R.C. Boral in 1932. Prabhat Film Company's “Amrit Manthan” released at almost the same time also had imaginative background music scored by music director Keshavrao Bhole.

1933
First Air-Conditioned Cinema
First air-conditioned cinema Regal started in Bombay.
First Colour Film
Prabhat Film Company's “Sairandhri” was the first talkie film produced in Multicolour in 1933. However, as the colour quality was not satisfactory Imperial Film Company's “KISAN KANYA ” produced in 1937 is considered as the first colour film. Minerva Movietone's “Jhansi Ki Rani” was the first technically perfect Technicolour film directly shot on 35mm in 1953.
First Film shot in Ellora Caves
Gandharva Cinetone was, the first film company to utilize the famous Ellora Caves in their talkie film “Sati Mahananda” in 1933, written and directed by Baburao Patel. First Talkie released in England “Karma” (Fate) in which Devika Rani co-starred with Himansu Rai was an Anglo-Indian co-production and had a premiere of its English version in London in May 1933. The Hindi version of the film was premiered at Bombay on January 27, 1934.

1934
First Talkie shown at Venice Film Festival
The Bengali talkie film “Seeta”, directed by Debaki Bose, was the first Indian talkie film shown at the Venice Film Festival in 1934
First Talkie Produced in South
“Srinivas Kalyanam” in Tamil was the first talkie produced in the South by Srinivas Cinetone and directed by A.Narayanan in Madras in 1934. It featured R.B. Lakshmi Devi in the main role.
First Telugu Film from South
The first Telugu talkie produced by South Indian Technicians entirely in the South, in Madras, was “Seetha Kalyanam” produced by P.V. Das at the Vel Pictures Studio. Starring Rama Tilakam in the main role in 1934.
First Cartoon Film
For the first time a cartoon short was made by Messrs. Ketkar and Raosaheb Oak in 1933. Prabhat Film Company also announced a cartoon film “Jambu Kaka” but on hearing this news R.C. Boral of New Theatres started his own Cartoon film “ON A MOONLIGHT NIGHT” and completed it within one month and released it even before the completion of “Jambu Kaka”. However, “Jambu Kaka” was released at the Majestic Cinema, Bombay, on November 15, 1934 along with “Amrit Manthan”. First Hindi Talkie to celebrate Silver Jubilee Prabhat Film company's “Amirt Manthan” was the first talkie in Hindi which celebrated Silver Jubilee at Krishna Talkies, Bombay, by running for 29 weeks at a stretch in 1934.

1935
First Playback [5] history of the hindi film song
Playback's was introduced in the talkie “ Bhagya Chakra” (Dhoop Chaon) produced by New Theatres in 1935 and Bombay talkie ‘Milan' B/W. Music Director R.C. Boralhad composed the music for the film. First All India Motion Picture Convention The first All India Motion Picture convention was held in Bombay on February 20, 1935 under the auspices of the Motion Picture Society of India headed by Mr. B.V. Jadhav. The Parsi Panchayat took strong objection to Parsi Music Director Saraswati Devi and Chandraprabha (known as Homi Sisters) who acted in JAWANI KI HAWA . Morchas were taken out to prevent the release of the film which finally opened at Imperial Cinema under Police Protection. Parsi members of Bombay Talkies, Board of Directors including Sir Phirozshah Mehta, Sir Cavasji Jehangir & F.E. Dinshaw refused to resign. Thereafter the agitation died down. Bombay Talkies arranged a special show for Pt. Jawaharlal Nehru to see their film ACHHUT KANYA .

1937
First Kannada-Tamil Double Version Film
The first talkie film produced simultaneously in two versions, in Kannada and Tamil, was “PURANDARDAS” by Devi Films in 1937. First Film without Any Song Wadia Movietone's “ Naujawan” was the first talkie without any song produced in 1937.
First Colour Film Laboratory
K.B. Ardeshir M Irani of Imperial Film Company established a colour film laboratory for the first time in India in 1937. Imperia's “Kisan Kanya” was the first cine colour film from this laboratory. IMPPA Formed Formation of Indian Motion Picture Producers” Association in Bombay “CHITAMANI” (Tamil), directed by Y.V. Rao and starring M.K. Thilagaraja Bhagavathar and K. Aswathama (13 th March), creates a record for continuous run for more than one year in one cinema house alone. Debaki Bose gives lyrical and philosophical treatment to the life of a Vaishnative poet in New Theatres ‘ VIDYAPATI'.

1938
First Malayalam Talkie
The first talkie film in Malayalee was “Balan” produced by Modern Theatres Ltd. Salem in 1938. It was directed by Notani. Formation of South Indian Film Chamber of Commerce in Madras and Indian Motion Picture Distributor's Association in Bombay.
First Camera Crane
Wadia Movietone used the camera crane for the first time in India while producing their films in 1938. The crane was built in their own workshop under the expert care of B.M. Tara.

1939
Silver Jubilee celebrations of the Indian Cinema in Bombay (in May)
First Hindi Talkie from South
“Prem Sagar” produced and directed by K. Subramanyam in 1939 was the first Hindi Talkie produced in the south.

1942
First Film Society
Bombay Film Society was the first film society in India formed in Bombay in 1942.
First Govt. Control over length & Distribution of Raw Film
The Govt. of India restricted the footage of the feature films to 11,000 feet and that of trailers to 400 feet, from May 16, 1942. Further, distribution of raw film was also controlled for the first time from 17 th July 1943 to 15 th Dec. 1945.

1943
Government Control on the distribution of raw film; The Information Films of India and Indian News Parade, set up by Government to produce documentaries and newsreels; Exhibition of Government “approved” films made compulsory under D.I.R. 44 A.

1944
First Talkie Produced in English Language
Wadia Movietone's “The Court Dancer” was the first Indian Talkie which had English dialogue. It was released in USA in 1944. Dadasaheb Phalke, father of Indian Cinema, passes away on 16 th Feb. 1944.
1947
Bombay Talkies ‘KISMAT', made in 1943, creates an all time record for the longest continuous run of more than three and a half years at a single cinema ROXY in Calcutta.
1948
First Ballet Film
Screen and Stage Production Madras “Kalpana” directed by Uday Shankar in 1948 was the first ballet film in India. It had dialogue by Amrit Lal Nagar and Lyrics by Sumitra Nandan Pant.

1949
First 16mm colour feature film
Bhavnani Productions ‘Rangeen Zamana” produced and directed by M. Bhavnani in 1948 (released as “Ajit” in 1949) was the first colour feature film produced on Kodachrome and blown up to 35mm. First Time “A” and “U” Classification The Indian Cinematograph Act 1918 was amended in December 1949 by which time censorship was made a Central subject for the first time and two types of categories “A” and “U” were prescribed for certification of films.
1950
First Film With “A” certificate
Akash Chitra's “Hanste Aansu” was the first Hindi feature film in 1950 which was is sued an “A” Certificate (Film suitable for exhibition to Adults only) in India.

1951
Formation of Central Board of Film Censors with B.N. Sircar on the Board. Launching of Film Federation of India.

History

  
India is the world's largest, oldest, continuous civilization
Although modern images of India often show poverty and lack of development, India was the richest country on earth until the time of British invasion in the early 17th Century. Christopher Columbus was attracted by India's wealth. 



India never invaded any country in her last 10000 years of history.
India is the world's largest democracy. 

The four religions born in India, Hinduism, Buddhism, Jainism, and Sikhism, are followed by 25% of the world's population

Chess (Shataranja or AshtaPada) was invented in India.
Varanasi, also known as Benares, was called "the ancient city" when Lord Buddha visited it in 500 B.C.E, and is the oldest, continuously inhabited city in the world today.
The art of Navigation was born in the river Sindh 6000 years ago. The very word Navigation is derived from the Sanskrit word NAVGATIH. The word navy is also derived from Sanskrit 'Nou'.

Medicine
Sushruta is the father of surgery. 2600 years ago he and health scientists of his time conducted complicated surgeries like cesareans, cataract, artificial limbs, fractures, urinary stones and even plastic surgery and brain surgery. Usage of anesthesia was well known in ancient India. Over 125 surgical equipment were used. Deep knowledge of anatomy, physiology, etiology, embryology, digestion, metabolism, genetics and immunity is also found in many texts.
Ayurveda is the earliest school of medicine known to humans. Charaka, the father of medicine consolidated Ayurveda 2500 years ago. Today Ayurveda is fast regaining its rightful place in our civilization. 

Math
The value of "pi" was first calculated by Budhayana, and he explained the concept of what is known as the Pythagorean Theorem. He discovered this in the 6th century long before the European mathematician.

India invented the Number System. Zero was invented by Aryabhatta.
Bhaskaracharya calculated the time taken by the earth to orbit the sun hundreds of years before the astronomer Smart. Time taken by earth to orbit the sun: (5th century) 365.258756484 days.

Academic
The World's first university was established in Takshashila in 700 BCE. More than 10,500 students from all over the world studied more than 60 subjects. The University of Nalanda built in the 4th century BCE was one of the greatest achievements of ancient India in the field of education.
Grammar constitutes one of India's greatest contributions to Western philology. Panini, the Sanskrit grammarian, who lived between 750 and 500 BCE, was the first to compose formal grammar through his Astadhyai.

 India – Country Profile, Facts, News and Original Articles

India and Indian civilization have played a major part in human development, world history and international relations.  With roughly 1.2 billion people, India is the world’s largest democracy and second largest country by population.  In recent decades, rapid economic growth and globalization have led to higher living standards and greater integration with the world economy.  From 1980 to 2010, India’s Human Development Index (HDI) rose by 62 percent, and life expectancy at birth in India increased from 42.4 to 63.7 years from 1960 to 2008.

Key Facts about India

Population: 1.2 billion people (2010)
Total area: 1.269 million sq. miles (3.287 million sq. km)
Capital city: New Delhi
Largest cities (by population, from most to fewest people): Mumbai (Bombay), Delhi, Bangalore, Kolkata (Calcutta), Chennai (Madras), Hyderabad, Ahmedabad, Pune, Surat, Kanpur, Jaipur
Languages and ethnic groups of India: Hindi (primary official language), English (secondary official language), Gujarati, Marathi, Bengali, Punjabi, Kashmiri, Malayalam, Tamil, Nepali, other
Currency: Indian rupee
UNDP Human Development Index (HDI): 0.519 (2010, 119th in the world; 62% increase from 1980 value of 0.32)
GDP per capita (International $, PPP): $3,270 (2009)
GDP annual growth rate: 6.0% (1980-2009), 8.2% (forecast, 2011-2015)
Life expectancy at birth: 63.7 years

Mega-Cities, Urbanization and Economic Growth

India’s rapid economic growth and development is accompanied by the dramatic rise and growth of so-called mega-cities.  People across India and other developing countries flock to cities and urban areas in search of greater opportunity and higher living standards.  The fruits of their labors and the economic advantages of cities’ financial, human and social capital help fuel India’s development and urbanization.
India will have more than 68 cities with populations of more than one million people by 2030, and more than 40 percent of Indians will live in cities of greater than one million people by 2025 according to the McKinsey Global Institute.

Indian Society, Culture and Language

India’s society is organized by a hierarchical caste system of four tiers: priests (Brahmins), warriors (kshatriyas), creators of wealth (vaishyas) and laborers and peasants (shudras).  A fifth group has long been excluded from the formal caste system for performing dirty jobs that previously branded them as “untouchables.”

Mahatma Mohandas Gandhi was a leading champion of the poor and untouchables, whom he renamed harijan (“children of god”) and also go by the term dalits (“the oppressed”).  While economic development has gradually chipped away at the rigidity of India’s class structure, the class system still plays an important role in many areas of civil society and daily life in India from politics to marriage.

India is a highly ethnically and linguistically diverse country.  As of 2001, 29 languages were spoken by more than one million people in India, and more than 122 languages were spoken by at least 10,000 people.  India’s primary and secondary official languages are Hindi and English, respectively.  Click on the image below to see a full-size version of a map of the usage of India’s major languages.

History – Colonization, Independence and Partitioning

India’s lucrative foreign trade opportunities attracted companies from Portugal, the Netherlands, England, France and Denmark.  The most famous of these commercial interests, the British East India Company, was chartered by Queen Elizabeth on December 31, 1600.  By 1665, the enclave of Bombay became property of the crown and was leased to the British East India Company by 1668.  The East India Company’s settlement at Fort William in eastern India near the current national border with Bangladesh eventually became Calcutta (present-day Kolkata).

By the time Britain consolidated control over India around 1852, the new British dominion was already in a state of economic and social collapse due to a hundred years of nearly continuous disputes and conflict.  British forces succeeded in putting down the so-called Indian Mutiny or First War of Independence, which began with their own Indian soldiers revolting against the cow and pig grease used on new rifle cartridges.  India officially became a British colony in 1858 when the British army put down the rebellion, and the British crown assumed administration of India through an appointed Viceroy.

The civil disobedience of Mahatma Mohandas Gandhi and the opposition of Jawaharlal Nehru of the Indian National Congress eventually led to the Government of India Act of 1935, which moved toward but fell short of full independence.  India finally achieved its independence when the Indian subcontinent was officially partitioned into the separate nation states of India and Pakistan on August 15, 1947.

Politics and Democracy in India

India became the world’s largest democracy when it adopted universal suffrage (right to vote) for all adults in 1951 following the enactment of the Constitution for India’s “Sovereign Democratic Republic and Union of States” on January 26, 1950.

International Relations and Foreign Policy

India’s relationship with neighboring Pakistan has a defining influence on India’s role in international politics and security.  India’s and Pakistan’s often uneasy relationship with one another stems from the post-WWII partitioning of the India subcontinent, ongoing territorial disputes, particularly over Kashmir, and divided cultural allegiances between Hinduism and Islam.  The goals of maintaining peace and stability and preventing any escalation of nuclear armaments guide many countries’ foreign policies in the region, particularly those of the U.S. and other highly developed, western nations.

It is the land of Shiva and Krishna, the Buddha and Mahatma Gandhi. India - my beloved country - which produced the greats of modern times in the world - has a proud place in my droughts.
The biggest democracy, the land of temples and one of the oldest civilisations of the world, the second most populous country in the world after China, my country has produced warriors like Rana Pratap and Shivaji; leaders like Jawaharlal Nehru, Mahatma Gandhi, Sardar Patel, Netaji Subhash Chandra Bose, Bhagat Singh and Lala Lajpat Rai.
In literature and science it has produced persons like Rabindra Nath Tagore, Prem Chand, Saratchandra, C.V. Ramman, Jagdish Chandra Bose and Dr. Homi Baba.
India is a land of villages and fields. Its fields are fed by the mighty rivers like the Ganga, Yamuna, Brahmaputra, Godavari, Narmada and Kaveri. The Gangetic Valley is the most fertile region of our land.
The oceans that guard her coasts on three sides and the mighty Himalayas on the north have given my country natural frontiers from all sides.
Ours is a secular state and various religions bloom here without hindrance. We have inherited our culture through the centuries. There is unity in diversity. We speak many languages, worship many gods and yet we have the same spirit, the spirit of India, running through the country, binding us together.
My country is a tourists' delight. The Taj Mahal, Fatehpur Sikri, The Qutab and the Red Fort are a few of the many wonders which attract people from all over the world. Kashmir has been described as a paradise on earth. The country of mountains, valleys, rivers and lakes is a fit abode for the gods. Ooty, Nilgiris and the temples of South India, as also Kajuraho, Ajanta and Ellora caves are the places one can boast of.

10 measures for developing the Agricultural sector in India 

Since the dawn of independence, several steps have been taken to develop the agricultural sector of the country. The major break through has been achieved in food grains production.
The production of food grains which was 550 lakh tonnes in 1950 substantially moved to 1991 lakh tonnes in 1995. However, the various measures employed from time to time can be discussed as: The various technical measures employed to develop agriculture are as under:
1. Multiple Cropping:
Multiple cropping aims at maximizing production per unit of land and per unit of time by taking three or four crops in a year. By adopting multiple cropping, there are two advantages as of getting increased returns and economy of the farm resources.
2. Expansion of Irrigation Facilities:
Irrigation facilities have increased manifold over time. Several, minor, medium and major irrigation projects have been launched in the country. At the inception of First Five Year Plan, India had only 18% of total irrigated area which at present increased to about 33.9 percent.
Moreover, dry farming has also been introduced in those areas where means of permanent irrigation cannot be installed. In 1994-95 the country witnessed total irrigated area of 876 lakh hectares.
3. Use of HYV Seeds:
HYV seeds have absolutely revolutionized Indian agriculture by increasing yield per acre. Among these, mention may be made of dwarf varieties of wheat PU-18, Kalyan Sona 227, Sona Lika, Hybrid maize, Vijay, Rice I R-8, Jhona 351, Padma and Jaya etc.
4. Plant Protection:
Considerable efforts have been made to protect the crops from the insects and pests. For this purpose, 14 Central Plant Protection Centres have been set up by the Govt.
5. Scientific Methods of Cultivation:
In the planning period, stress has been laid on the scientific methods of cultivation. It has been emphasized to adopt superior agricultural technology in respect of crop rotation, selection of quality seeds, use of proper manure, treatment of soil, selection of crops etc.
In this regard, Govt has initiated Intensive Agricultural Area Programme. Moreover, several Agricultural research centers and universities have also been established.
In this regard, Haryana Agricultural University Hissar, Punjab Agricultural University Ludhiana, Himachal Agricultural University Palampur, ICAR, Delhi is playing a pioneer role to develop agriculture.
6. Use of Mechanization:
Mechanization is another noteworthy step employed to develop agriculture. Small farmers are assisted with cheap credit facilities through co-operative societies, community development blocks to purchase machinery and other modern equipments.
7. More Use of Chemical Fertilizers:
Use of chemical fertilizers has also contributed significantly to the growth of agricultural output. Several steps have been taken to encourage the use of cow-dung as manure rather than as fuel.
In 1950-51, 0.13 million tonnes of chemical fertilizers was used which in 1980-81 increased to 5.52 million tonnes and further to 12.54 million tonnes in 1990-91. In 1995-96, the use of chemical fertilizers was recorded to the tune of 15.7 million tonnes.
8. Development of Agricultural Land:
Efforts have been made to develop agricultural land during the five year plans. Major success has been achieved in the leveling of land, terracing of fields and contour building. Land surveys are also being conducted.
9. Animal Husbandry:
Animal husbandry has assumed a much broader role in the overall agricultural development. Presently, this sector accounts for 25% of gross value of agricultural output. India's vast livestock population offers tremendous potential for meeting domestic demand for milk, egg, meat, wool, etc.
10. Land Reforms:
In a bid to increase agricultural productivity, land reforms are of immense use. Since the dawn of independence, Govt, of India has undertaken several land reform measures. For instance, Abolition of zamidari system, Fixation of ceilings on Land Holdings, Consolidation of Land Holdings, co-operative farming etc.